I finally cracked and bought a copy and have been listening to it ever since. It feels to me like a record its maker wants taken seriously. The music (mostly created by Berry, who plays nearly all the instruments) does not sound like the pastiche of late 60s British folk-rock the cover might suggest. Instead it sounds a bit more contemporary, while clearly drawing on some kind of folky past. Thinking about it, I was reminded in a strange way of Cate Le Bon - not that it sounds like her directly, but it has the same kind of updated folk sensibility.
I have mostly gorged on the music without paying too much attention to the lyrics (I am not really a lyrics person). Where they have crossed my mind, they do not come across as being that ridiculous, certainly no more so than what you get in the world of the folkies, so I suspect they are meant to be taken seriously too. Though it is hard to tell, from following Berry on Twitter I get the impression his sense of humour is very deadpan.
Whatever his intentions, I am taking this record at face value. It is a collection of nice folk-influenced tunes well sung. I particularly like 'Take My Hand' and 'A Song for Rosie', but it's all good.
It does make me wonder, though - what is Matt Berry's motivation here? Making a record takes time and money (and this was recorded by him before any record company had decided to release it). There is no money in music anymore, so he was hardly expecting to be able to add more strings to his bow and rake in the cash from music as well as comedy. So it must be basically a hobby - some people write for amateur press associations, he writes songs and releases records. And he releases serious records that confuse people because even though he is a comedian they are not funny. What a strange life he must lead.
Witchazel cover
Dr Lucien Sanchez
An inuit panda production
No comments:
Post a Comment