One thing I found interesting about the presentation of this was how many of the performers were named. This makes for quite a comparison with Streets of Lhasa, the most similar Sublime Frequencies record in my possession – on that one the performers are described ("man with vocal", "man and child with erhu", "terrifying child singing unaccompanied"), but not named. I do not know if there is any significance to so many of the Rajasthani performers here being named (or the Tibetan performers on the other record remaining anonymous), but it did make the people here seem a bit more individualised musicians and a bit less like a faceless procession of funny foreigners.
I look forward to the appearance of the commercially released version of these recordings, as it will be interesting to play compare-and-contrast, if any record shop in Dublin deigns to stock it.
*she is either Alaap or Sharwa Dewara; I'm afraid I don't know enough about the people of Rajasthan to be able to say which is a woman's name and which a man's. The man is (presumably) her husband, and he has a nice singing voice too.
An inuit panda production
Street Panda
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