The film boasts an impressive score from that Clint Mansell fellow who does all kewl music scores these days (with Philip Glass making a guest appearance for a piano piece that Charlie and India play together. It probably has good sound too.
I liked this film, but I have reservations about it. As with Old Boy, it centres on a disturbing revelation in the later part of the film. But I found the denouement a bit disappointing. India does turn against Charlie - and yet she seems sufficiently tainted by him to have lost any real moral compass by the film's end. I am not sure either whether the hinted supernatural element (the suggestion that there is something not quite human about India and Charlie, with vampirism implied, not least by their surname) that is advanced and then retreated from is clever misdirection or an annoying tease. But I would not want to let quibbles think that this was a film I did not enjoy. It is a wonderfully atmospheric piece of work, a dark gothic horror film in a domestic setting, in which we are treated to great performances by the film's principals.
Image source
An inuit panda production
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