Sunday, January 05, 2025

Music in Film 01: The Zone of Interest, Perfect Days, and others

Let's talk about some films I saw last year, but only where they have a significant musical content.

The Zone of interest (2023)

This is the Jonathan Glazer directed film about the guy who was in charge of Auschwitz, with almost all the action taking place in his house and its garden, which was located just outside the main camp. It features a stunning Mica Levi soundtrack of discordant noises that merges into the sound design, becoming at one with the strange and unnerving noises we hear continuously in the background (shouts, screams, clanking machinery, shots, etc.). The music contributes strongly to the sense of unease that permeates the film. I spent most of my time watching this on edge, waiting for something terrible to happen; then I realised that the something terrible was happening all the time. It does not surprise me that many people picked this as their film of the year, and the music and sound design combo is one reason why I pity people who did not see it in the cinema.

Perfect Days (2023)

Wim Wenders goes to Japan and makes a film about a guy named Hirayama, who cleans public toilets. initially it feels like is a film about the importance of just getting on with it and doing every day stuff as well as you can, with the film starting off by showing a typical day for Hirayama and then repeating that for a bit so you think "OK, this is not a plot film", but then there is a bit of a transition and gets a bit more plot-oriented.

Where does the music come in? Well Hirayama listens to music as he goes about his day. The music he listens to is from the 1960s and 1970s. Lou Reed's "Perfect Day" features (obv.) but also tracks by Nina Simone, the Kinks, Otis Redding and Patti Smith. And he listens to all his music on cassette, which I think is meant to suggest the extent to which he is aloof from contemporary trends. There is also a suggestion at one point that the music Hirayama listens to is somehow more real and engaging than the digital music of the young people, but that's a bit OK Boomer.

Some of the way cassettes are treated in the film seemed a bit fanciful. Like, people are always able to play particular songs from the start and never have to spend ages scrolling backwards and forwards to get to the right point. And at one point Hirayama's idiot co-worker brings him to a second-hand cassette shop, where it is established that second-hand cassettes are very expensive in Japan and that the various cassettes he owns could be sold for a pile of money. I had definite "O RLY?" thoughts at this point but it has long been established that any claim about Japan is somewhat credible.

Nearly all the music in the film is western, although I see from Wikipedia that there is a track by Sachiko Kanenobu; I don't remember when her track comes up in the film but reading about the album it is from on Wikipedia makes it sound like it might be worth investigating (influences of Pentangle, Donovan, and Joni Mitchell) and she so impressed Philip K. Dick that he later produced one of her singles (er wait, did I really read that?).

But there is one striking piece of Japanese-language music. At one point Hirayama listens to "House of the Rising Sun" by The Animals. And then later he is in one of those tiny Japanese bars you see in films and the patrons ask the manager to sing her song, and she sings a Japanese translation of the song, except the subtitles reveal that the Japanese lyrics are much more explicitly about prostitution and the song's narrator being trapped in that world (as compared to the English lyrics being so oblique that they make almost no sense when listened to closely).

Anyway, a good film and one I recommend to all cassette fans.

Poor Things (2023)

There is a bit in this Yorgos Lanthimos film where Emma Stone's character dances to music, yes? Overall though I wasn't really sure about this one. While never boring it felt like maybe it was a bit exploitative and wasn't really saying anything.

Dune 2 (2024)

The music was not as memorable as in part one. That might be because it was broadly the same, but also there was no Sardauker throat singing in this part.

Birdsong (2024)

A short-ish documentary by Kathleen Harris about Seán Ronayne, who is on a mission to record the singing of every bird in Ireland. That's nice, birds singing and stuff, except lots of the birds are becoming extinct due to climate change and habitat loss, so it's a bit sadface. I did find myself thinking that for all my sense that meaters are people with no moral compass there might be something to be said for eating wild and unfarmed deer, as they lack predators and are stripping the cover off the landscape that ground nesting birds need to hide in. There might also be something to be said for eating meaters. Or for reintroducing wolves to Ireland.

Devo (2024)

Not mentioned in this documentary is the bit in Watchmen where Laurie finds the night vision goggles Dan uses when he dresses up as Nite Owl and she says they remind her of Devo; then she has to explain to Dan what Devo are, as he is not really into new wave music. And a bit later Dan for some reason is wandering around in the nip but wearing the night vision goggles and he says "I guess I look pretty Devo, right?".